Contradiction by Michael Boer
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Reading a poem makes a performer of you. You cast your own voices for the writer’s first- and third-person characters, deciding, almost unthinkingly, whether the writer’s second-person is yourself or someone else. Not always effortlessly, you sort out the scenes, images, sequences, quotations, and metaphors. You evaluate each of the writer’s assertions, accepting them into or rejecting them from the framework of your own thoughts. Poetry is a kind of source code, requiring little math but rich in context, grammar, and logical subroutines, which your mind may assemble into the mesh of your own library of eclectic grammar, logic, and contradictions.
Your reading is thus uniquely your own collaboration with the writer.